Charlie Parker (aka “Bird”) is recognized as one of the finest jazz saxophonists. In this interview, Jimmy Heath, the hard bop saxophonist who was nicknamed “Little Bird” after Charlie Parker, explains what was unique about Charlie Parker’s style. Heath says, “He had a way of playing his [melody] lines that was…Dizzy [Gillespie] called it, he could…play so many notes on one beat and they would all be right in place in the harmony and perfectly aligned. The use of extended harmony was what fascinated [me] because we had begun to learn basic harmony by studying and taking lessons. But this extended harmony as used by Western classical people was coming to the fore with Charlie Parker. As Dizzy [Gillespie] said to me, “Bird had the style already, when I met him, he had the style that I wanted to play…” Jimmy Heath says he heard Charlie Parker’s records from when he played with Jay McShann, and Heath thought he already sounded great at that point.
One time Jimmy Heath heard Charlie Parker play at the Downbeat nightclub in Philadelphia. Parker’s saxophone was in the pawn shop at the time. So Parker said to Heath, “Can you loan me your axe [nickname for saxophone] for the night?” Heath said, “Yeah.” Heath continues, “So I would take my saxophone to the Downbeat club and sit all night to listen to Charlie Parker, because I knew his reputation for pawning horns.” Then Heath would put his own saxophone back in the case at the end of the night when Parker travelled back to New York where he was living.
One of the greatest moments of Jimmy Heath’s life was when Charlie Parker sat in and played saxophone with the big band Jimmy Heath was conducting at a benefit fundraiser concert at the Elite Ballroom. Max Roach played drums and John Coltrane was listening, stunned at Parker’s talent, along with the other musicians, including Heath who was conducting the big band.
https://www.youtube.com/watch?v=l2srnQrXNU8
Here’s a 1947 recording of Charlie Parker playing alto saxophone on “All the Things You Are” with Miles David on trumpet, Duke Jordan on piano, Max Roach on drums and Tommy Potter on bass.
https://www.youtube.com/watch?v=UTORd2Y_X6U&list=PLhXctOTXTtvKU6MU1wUCJc2dEEOVzMAHs&index=15
Yardbird Suite is a fun, medium paced tune of Charlie Parker.
https://www.youtube.com/watch?v=pdLTKfYVCb0
Here’s Charlie Parker playing “Oh Lady Be Good” https://www.youtube.com/watch?v=sMfyISeojDg&list=OLAK5uy_kuvQWeLVjHTUHnLadBHcPsasfQTKdiVq4&index=10
In the interview that jazz critic Stanley Crouch gave with Jerry Jazz Musician, he states that Charlie Parker was prepared to do what he had to do to become the best saxophone player in the entire world. “He also wanted to be different, he wanted to stand out.” “Oh, yeah…All of the people he [Parker] admired — people like Buster Smith, Lester Young, Chu Berry –were musicians who something very unique about their playing, and he sought that uniqueness in his own playing.”
Stanley Crouch said [Charlie Parker’s] style “always carries the blues and swings in a way that today many musicians think they can avoid because they are academically trained.”
“To [bandleader Jay] McShann, Parker seemed to have a crying soul, a spirit as troubled by the nature of life as it was capable of almost unlimited celebration. But the saxophone was all he really had: it provided him with the one honest relationship in his life. What he gave the horn, it gave back. What it gave him, he never forgot.” Stanley Crouch, from his book Kansas City Lightning: The Life and Times of Charlie Parker.
https://www.jerryjazzmusician.com/a-black-history-month-profile-charlie-parker/
https://nationaljazzarchive.org.uk/posts/articles/2020/08/charlie-parker—myth-and-mayhem
Mark Sowlakis made some great transcriptions and lists recordings of five Charlie Parker tunes: Relaxin’ at Camarillo, Cool Blues, Billie’s Bounce, Au Privave, Yardbird Suite.



